Catherine is so proud to be included in an article from the Wall Street Journal about the 2014 IFPDA print fair, describing a print she is so proud to exhibit:
From Catherine E. Burns of Oakland, California, comes Peasant Mother and Child, created in 1894 by one of America’s foremost Impressionists, Mary Cassatt. “Her color prints are considered among the most important created at the turn of the 20th century,” says Burns, adding that Cassatt applied ink to the printing plates for this work with her own hands, making each impression uniquely distinctive. In the same vein of singular standouts at the Print Fair is Richard Diebenkorn’s Green. Part of the Abstract Expressionist’s iconic Ocean Park series, the work is by far the largest print the artist ever made — more than three feet by four feet. James Turrell’s Suite from Aten Reign represents the artist’s first effort in Japanese-style colored woodcut prints, which replicate the breathtaking chromatic variations he brought about last year in his smash-hit light installation in the Guggenheim’s rotunda. And making its debut at the Fair is Damien Hirst’s Black Dot, part of the English artist’s Spot series and the first work he has encrusted with diamond dust.
You may read the full article here.